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Bartók forever
D. Scarlatti - Sonata D Major K. 345
Bartók forever
5:57 Est. Play
Time
120 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 21 9 5 3 100%
Bass 26 18 6 3 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 21 9 5 3 100%
Bass 26 18 6 3 96%
 
Inventio 1 C Major BWV 772
Bartók forever
1:06 Est. Play
Time
22 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 1 5 7 100%
Bass 23 0 5 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 1 5 7 100%
Bass 23 0 5 6 100%
 
Simple "westward" modulating progressions based on the Cycle/Circle of 5ths
Bartók forever
1:20 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 35 19 6 98%
Bass 31 0 16 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 35 19 6 98%
Bass 31 0 16 6 100%
 
Inventio 2 c Minor BWV 773
Bartók forever
2:20 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 0 6 6 100%
Bass 25 0 4 6 93%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 0 6 6 100%
Bass 25 0 4 6 93%
 
Scherzo
Bartók forever
0:30 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 7 10 2 3 100%
Bass 7 9 2 3 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 7 10 2 3 100%
Bass 7 9 2 3 95%
 
Mariä Wiegenlied Op. 76 No. 52
Bartók forever
1:38 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 47 11 6 100%
Bass 23 5 4 4 100%
Voice Treble 12 0 4 6 81%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 47 11 6 100%
Bass 23 5 4 4 100%
Voice Treble 12 0 4 6 81%
 
Variations
Bartók forever
2:05 Est. Play
Time
69 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 31 11 9 4 90%
Bass 34 27 11 4 84%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 31 11 9 4 90%
Bass 34 27 11 4 84%
 
Chromatic Invention (1)
Bartók forever
0:56 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 0 11 4 100%
Bass 31 0 15 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 0 11 4 100%
Bass 31 0 15 4 100%
 
Sonata Eb Major K. 306
Bartók forever
5:55 Est. Play
Time
110 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 23 0 9 7 98%
Bass 32 13 11 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 23 0 9 7 98%
Bass 32 13 11 4 100%
 
Praeludium und Fuge über den Namen B A C H BWV 898
Bartók forever
4:18 Est. Play
Time
106 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 28 21 11 8 97%
Bass 30 7 12 10 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 28 21 11 8 97%
Bass 30 7 12 10 89%
 
Psalmus sub communione SSWV 156 (TIP)
Bartók forever
5:33 Est. Play
Time
96 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 20 0 6 7 80%
Bass 23 0 7 7 88%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 20 0 6 7 80%
Bass 23 0 7 7 88%
 
Three Renaissance Versi
Bartók forever
1:37 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 22 0 9 7 87%
Treble 3 0 1 2 4%
Bass 22 0 7 5 76%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 22 0 9 7 87%
Treble 3 0 1 2 4%
Bass 22 0 7 5 76%
 
Fest soll mein Taufbund immer stehen
Bartók forever
0:41 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 13 0 1 3 100%
Bass 9 0 0 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 13 0 1 3 100%
Bass 9 0 0 4 100%
Bass 6 0 0 3 100%
S
A		 Treble 13 0 1 3 100%
T
B		 Bass 12 0 0 4 100%
 
Solo per il cembalo BWV Anhang 129
Bartók forever
3:32 Est. Play
Time
64 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 23 0 7 7 100%
Bass 25 2 8 3 84%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 23 0 7 7 100%
Bass 25 2 8 3 84%
 
In Russian Style
Bartók forever
0:35 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
(Bass-)Posaune Bass 12 0 5 4 65%
Horn
in
F		 Treble 9 0 3 4 65%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
(Bass-)Posaune Bass 12 0 5 4 65%
Horn
in
F		 Treble 9 0 3 4 65%
Klarinette
in
B		 Treble 9 0 3 5 65%
Flöte Treble 7 0 1 4 62%
Trompete
in
B		 Treble 10 0 1 3 50%
Tuba Bass 8 0 2 4 50%
Oboe Treble 9 0 3 3 46%
Piccoloflöte Treble 6 0 0 2 15%
 
Chromatic Invention (2)
Bartók forever
0:01 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Posaune Bass 8 0 4 3 94%
Trompete
in
B		 Treble 8 0 3 2 91%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Posaune Bass 8 0 4 3 94%
Trompete
in
B		 Treble 8 0 3 2 91%
Piccoloflöte Treble 10 0 4 1 64%
Tuba Bass 10 0 4 1 55%
 
Rezitativ und Arie from BWV 82
Bartók forever
6:44 Est. Play
Time
99 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 19 32 5 6 16%
Treble 25 43 9 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 19 32 5 6 16%
Treble 25 43 9 6 100%
Bass 24 0 9 6 98%
Sopran Treble 18 0 7 8 96%
 
O ewger Gott wir bitten dich (2)
Bartók forever
0:50 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 12 0 1 5 100%
Bass 22 0 7 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 12 0 1 5 100%
Bass 22 0 7 4 100%
S
A		 Treble 12 0 1 5 100%
T
B		 Bass 22 0 7 4 100%
 
Der Gutzgauch auf dem Zaune saß
Bartók forever
0:30 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopran Treble 2 0 0 3 80%
Treble 2 0 0 3 73%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopran Treble 2 0 0 3 80%
Treble 2 0 0 3 73%
Treble 6 0 0 4 100%
Alt Treble 7 0 0 5 100%
Bass Bass 6 0 0 3 100%
Tenor Treble 6 0 0 6 100%
 
Philipp's Progressions
Bartók forever
1:22 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Streichinstrumente Treble 21 38 10 4 100%
Bass 9 0 3 2 36%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Streichinstrumente Treble 21 38 10 4 100%
Bass 9 0 3 2 36%